Start Rod stewart dating history

Rod stewart dating history

It included Stewart's best-known song, still played relentlessly on classic rock stations: "Maggie May." The song tells the story of a young man trying to tear himself away from a consuming romance with a more mature woman.

Around this time, he married model Alana Hamilton; they went on to have two children, Kimberly and Sean.

In 1981, on Tonight I'm Yours , Stewart updated his sound with then-popular new wave and synth pop styles.

It included a strong cover of Dylan's "Girl from the North Country," but also an ill-advised cover of Aretha Franklin's song "(You Make Me Feel Like) A Natural Woman," which Stewart changed to "Natural Man." Still, the album was a hit.

In 1975, Stewart began a romance with Britt Ekland, a Swedish actress.

Albums such as Foot Loose & Fancy Free and Blondes Have More Fun , released in 19, sold millions of copies. Critics reacted badly, especially hating the single "Da Ya Think I'm Sexy?

"—but it became one of Stewart's biggest pop hits, hitting number one in 1979.

For the next four years, Stewart and Wood worked together on roughly two albums a year, both Stewart albums and Faces albums.

On his second solo album, Gasoline Alley , released in the fall of 1970, Stewart began to establish a reputation as an excellent interpreter of Bob Dylan songs by covering Dylan's folk song "Only A Hobo." The Stewart-Wood collaboration peaked in the year 1971, with Stewart's third solo album, Every Picture Tells A Story , which hit number one in America and Britain and made Stewart famous.

And Seated , 1993; released Human , 2001; released Great American Songbook series, 2002–05; released Still the Same … Awards: Grammy Award for best traditional pop vocal album, Recording Academy, for Stardust … Rod Stewart, perhaps the most popular British rocker of the 1970s, has enjoyed platinum record sales, seemingly permanent celebrity, an equally permanent place on classic rock radio, wealth, and the company of countless beautiful young women.

Yet he has also suffered a 30-year assault on his reputation from the music press, eternally disappointed that he forsook his early '70s blend of rowdy rock-and-roll with rough, poignant folk music for a slick pop sound, heartstring-snapping ballads, and lyrics that celebrate his own playboy decadence.

At his best, wrote critic Jon Pareles in the New York Times , Stewart is "one of rock's more appealing personas—a rueful working-class rake, well aware of love's pratfalls but sincere when he pledges his devotion." Also key to his appeal is his distinctive raspy voice, which John Rockwell, another New York Times critic, described as a "whisky tenor" that combines "manly toughness with aching emotional pain and the sexuality that high voices have always symbolized." Born in a working-class part of London to a Scottish family, Stewart took up music as a young man in the early 1960s after working as an apprentice for the Brentford Football Club. Over the next few years, he sang in several short-lived British R&B and blues-rock bands, including Jimmy Powell & the Five Dimensions, the Hoochie Coochie Men (which, after renaming itself Steampacket, toured with the Rolling Stones), and Shotgun Express.